20 Steps to Successfully Passing as a Woman in Public by Louise Allen, Jane Butt

By Louise Allen, Jane Butt

This publication covers an important elements of a very female presence, visual appeal and sweetness. according to our paintings with many transvestite and transgender humans through the years, we’ve distilled an important info into this easy-to-read ‘companion’. discover ways to domesticate the delicate female cues: the facility of submissiveness, the appeal of vulnerability and the information of your emotions. You’ll locate easy-to-follow routines, like visualisation, to reinforce your female presence, and we'll allow you to entry the confidence-boosting power of confident pondering. after all, we in brief disguise a couple of tips of the alternate for hiding ‘that’ bulge, utilising makeup, discovering your female voice and your trans identify.

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20 Steps to Successfully Passing as a Woman in Public

This booklet covers crucial parts of a really female presence, visual appeal and wonder. in keeping with our paintings with many transvestite and transgender humans through the years, we’ve distilled an important details into this easy-to-read ‘companion’. learn how to domesticate the sophisticated female cues: the ability of submissiveness, the attraction of vulnerability and the counsel of your emotions.

Extra info for 20 Steps to Successfully Passing as a Woman in Public

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Here, we find the so-called “Inca’s Throne” - Plate 15 - where, for no apparent reason, a platform and series of steps have been carved with great precision into the hillside. The “experts” claim that the perfect angles and edges of the Inca’s Throne were finished off using small stones as precision tools. However, when one sees the accuracy of this work firsthand, it seems ludicrous to suggest that such primitive methods were actually used. The smooth, polished faces of these steps, together with numerous other enigmatic niches around Sacsayhuaman, appear instead to have been machined using twentieth century technology.

The relative sizes of the spider, monkey, condor and lizard (among others) can be judged against the largest figure - a stylised heron with a zigzag neck, approximately 900 feet long. However, as diverse as these geoglyphs are, others are different again, consisting of totally abstract shapes. And even among the abstract designs, there is diversity. Whilst one design in particular contains no less than 365 angles, others, in the form of spirals, contain no angles at all. Although the recognisable animal geoglyphs draw most of the attention at Nazca, they are in fact dwarfed by the huge trapezoidal (wedge-like) designs such as the one shown in Plate 27.

From a distance, it is difficult to appreciate the huge size of these two pyramids. Only as one approaches, does the overwhelming scale of the construction become apparent. The Great Pyramid itself, missing its capstone, was designed with a height of 480 feet, reaching the same height as Khafra’s pyramid but from a slightly lower base. This base covers an almost unbelievable area of 13 acres, with each side measuring 756 feet. The exterior of the Great Pyramid now appears very roughshod and badly eroded, but it was once covered in an outer layer of fine white limestone casing blocks, giving it the totally smooth sides of a true pyramid.

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